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"2666" by Roberto Bolaño : Review

Writer's picture: David LapadatDavid Lapadat

2666 - A Journey Through the Labyrinth of Hell


As I sit down to pen my thoughts on Roberto Bolaño's magnum opus, "2666," I'm reminded of the vast, intricate tapestries of the image human experience that literature can weave. Here, in this sprawling novel, Bolaño constructs not just a narrative but a universe, a dark mirror reflecting our own world with its shadows and lights, and ultimately an image of hell, embedded into the mystery that engulfs the fictional town of Santa Tereza.


an image of hell…

The Encounter with the Text


Opening "2666" feels like stepping into a dense forest at dusk, where every path promises a different kind of mystery.


The book is divided into five parts, each a distinct yet (allusively) interconnected exploration of themes like identity, art, and the human condition, all set against the backdrop of the fictional city of Santa Teresa, a stand-in for Ciudad Juárez, notorious for its femicides.


The Critics: A Dance of Shadows & A Search for Identity


The first part introduces us to four European literary critics, each obsessed with the enigmatic author Archimboldi. Their quest for Archimboldi is less about literary discovery and more about personal fulfillment, or perhaps, an escape from their own existential voids. Bolaño's portrayal of these characters is both humorous and poignant, showing how literature can both unite and isolate us.


The Part About Amalfitano


Here, Bolaño shifts gears, focusing on Amalfitano, a professor in Santa Teresa, whose life seems to be unraveling. His chapter is a meditation on the role of the intellectual in a world where violence and indifference reign. The geometric diagrams he draws on his walls, a nod to his own madness or perhaps a search for order in chaos, are a visual metaphor for the novel itself.


The Part About Fate


This section, centered around Oscar Fate, an American journalist, delves into the heart of the novel's darkness. The femicides of Santa Teresa are not just a plot device but a chilling commentary on violence against women, a theme that resonates with a haunting universality. Fate's journey is a descent into the abyss of human cruelty, yet his character brings a glimmer of hope through his pursuit of truth.


The Part About the Crimes


The longest and perhaps the most harrowing part of the book, this section is a relentless catalog of murders. Bolaño's decision to list these crimes in clinical detail serves not only to shock but to force the reader into a confrontation with the reality of such violence. It's here where the novel's narrative ambition is most evident, turning the act of reading into a form of bearing witness.


Archimboldi


Finally, we meet Archimboldi, the elusive writer. His story, spanning from World War II to his mysterious disappearance, ties together the threads of the previous sections. This part is a blend of myth, history, and fiction, exploring the nature of creation and the search for meaning in a life marked by war and loss.


My Personal Odyssey Through "2666"


Reading "2666" was akin to living in multiple worlds simultaneously. Bolaño's prose, dense and poetic, demands a slow, thoughtful reading. Each part left me with a different emotion, from the intellectual curiosity of the critics to the profound sadness of the crimes. The novel doesn't just tell a story; it questions the very nature of storytelling, the role of the writer, and the reader's responsibility in engaging with such narratives.

A note before reading:


"2666" is not for everyone. It's a challenging, sometimes overwhelming read, but for those who venture into its depths, it offers a profound reflection on humanity.


Bolaño's last work, left unfinished at his death, feels like a testament to his belief in the power of literature to explore the darkest corners of human experience.


It's a book that stays with you, not just in memory but in the way it reshapes your understanding of the world. If you dare to embark on this journey, be prepared to emerge changed, perhaps more aware of the shadows that lurk in our collective soul.


General Criticism of "2666"

Criticism of "2666" often revolves around several key points:


1. Length and Complexity: The novel's sheer length and dense narrative structure can be daunting. Critics argue that while Bolaño's ambition is admirable, the book's scope might overwhelm its narrative coherence. Some readers and critics find the middle section, "The Part About the Crimes," particularly challenging due to its repetitive and gruesome content, questioning whether this serves the story or merely indulges in the horror.


2. Fragmentation: Bolaño's use of fragmented narratives is both praised for its innovation and criticized for potentially alienating readers. The lack of a traditional, linear plot can leave some feeling disconnected from the characters or the overarching story.


3. Themes of Violence: The novel's unflinching portrayal of violence, especially against women, has sparked debate. While some see it as a necessary reflection of real-world issues, others argue it borders on exploitation, questioning the ethical implications of such detailed accounts of brutality.


4. Incompleteness: Given that Bolaño died before completing "2666," there's a debate over whether the novel should be read as a finished work or as an unfinished manuscript. This raises questions about the author's intent versus the editor's decisions, impacting how the narrative is interpreted.



From a personal perspective:

Emotional Detachment:


While I appreciate Bolaño's intellectual engagement and the vastness of his world-building, there's a part of me that yearns for a deeper emotional connection with the characters.


The novel's vast scope sometimes comes at the expense of intimate character development. For instance, while the critics' quest for Archimboldi is intriguing, I found myself wanting more personal stakes or emotional depth in their stories, which might have balanced the novel's intellectual pursuits with a more visceral human experience.


The Role of Horror:


"The Part About the Crimes" is undeniably powerful in its depiction of violence, but there's a point where the relentless cataloging of murders felt more like a numbing exercise than a narrative necessity. While it underscores the horror of the femicides, it also risks desensitizing the reader, which could be Bolaño's point, but it's a fine line between critique and gratuitousness, and I’m uncertain whether Bolaño crossed it or not.



In sum, "2666" is a monumental work that invites a spectrum of reactions. Its criticism often stems from its very ambition, where the attempt to encapsulate so much of human experience might leave some elements feeling underdeveloped or overwhelming. However, this also speaks to the novel's enduring quality, as it continues to provoke thought, discussion, and varied interpretations long after its release.


My favorite moments


  1. The Jewish Journal Found by Archimboldi


    One of the most poignant moments in "2666" is when Archimboldi, during his time in World War II, discovers a Jewish journal in a house he's billeted in. This journal, detailing the life and eventual fate of its writer, becomes a profound symbol within the novel. It's a moment of unexpected humanity amidst the chaos of war, where Archimboldi, a figure often detached and enigmatic, connects with the personal tragedy of another. This discovery not only deepens Archimboldi's character, offering a glimpse into his empathy and the weight of history he carries, but also serves as a microcosm of the novel's themes of loss, memory, and the intersection of individual lives with larger historical narratives.



2. The General Entrescu Story


The narrative involving General Entrescu is a compelling thread in "2666," particularly in the section about Archimboldi. General Entrescu, a figure from Archimboldi's past during World War II, represents a complex mix of power, manipulation, and the moral ambiguities of wartime actions. His story intertwines with Archimboldi's, showcasing the Power Dynamics.


Moral Ambiguity:


The general's actions, from his involvement in the war to his later life, reflect the novel's exploration of good and evil, showing how individuals can navigate or be trapped by the ethical dilemmas of their times.


Historical Context:


The character provides a backdrop to understand Archimboldi's motivations and the world he comes from, enriching the reader's understanding of the protagonist's journey from soldier to writer.


This part of the novel delves into the darker aspects of human nature, the role of literature in times of crisis, and the personal costs of war, making Entrescu's story a crucial element in the tapestry of "2666."




Archimboldi’s Bibliography:

Here's the list of Archimboldi's works with numbering:


1. **Lüdicke**

2. **The Endless Rose**

3. **The Leather Mask**

4. **Rivers of Europe**

5. **Bifurcaria Bifurcata**

6. **Inheritance**

7. **Saint Thomas**

8. **The Blind Woman**

9. **The Black Sea**

10. **Lethaea**

11. **The Lottery Man**

12. **The Father**

13. **The Return**

14. **D'Arsonval**

15. **The Garden**

16. **Mitzi's Treasure**

17. **Railroad Perfection**

18. **The Berlin Underworld**

19. **Bitzius**

20. **The King of the Forest**

21. **The Head**


Details:


typology of the main and several key secondary characters from Roberto Bolaño's "2666":


**The Critics:**


- **Jean-Claude Pelletier**: The French critic, often seen as the leader of the group, driven by intellectual curiosity and a romantic entanglement with Liz Norton. His character embodies the pursuit of knowledge and the personal costs of obsession.


- **Manuel Espinoza**: A Spaniard, whose life seems to revolve around his academic pursuits and his relationship with Liz Norton. He's pragmatic yet deeply affected by the emotional undercurrents of their group dynamic.


- **Piero Morini**: The Italian critic, perhaps the most enigmatic of the group. His interest in Archimboldi seems to stem from a deeper, more philosophical quest, reflecting a search for meaning in literature and life.


- **Liz Norton**: The only woman in the group, her character adds a layer of complexity with her romantic liaisons and her own scholarly ambitions. She represents a blend of intellect and emotional depth, often navigating the male-dominated world of literary criticism.


**Amalfitano:**


- **Professor Amalfitano**: A Chilean expatriate in Santa Teresa, he's a figure of quiet desperation. His life is marked by personal tragedy, intellectual isolation, and a surreal sense of impending doom. His geometric diagrams on the walls symbolize his attempt to find order in chaos.


**Oscar Fate:**


- **Oscar Fate**: An American journalist, his character embodies the quest for truth in a world of violence. His investigation into the femicides of Santa Teresa shows his moral compass, yet he's also a figure of naivety, confronting the darkness with an almost innocent determination.


**Archimboldi:**


- **Benno von Archimboldi**: The central yet elusive figure. His life story, from World War II to his mysterious disappearance, explores themes of creation, identity, and the role of the artist in society. He's both a myth and a man, embodying the enigmatic nature of genius.


"2666" by Roberto Bolaño is renowned for its expansive cast of characters, which contributes to its epic scope.

Secondary Characters:


- **Rosa Amalfitano**: Amalfitano's daughter, whose disappearance adds a personal layer to the novel's theme of violence against women. She's a symbol of innocence lost in the brutal reality of Santa Teresa.


- **Florita Almada**: A secondary character in "The Part About Fate," her story intertwines with the femicides, representing the tragic fate of many in Santa Teresa.


- **Hans Reiter (Archimboldi's real name)**: His backstory in "Archimboldi" part, including his experiences in World War II, adds depth to his character, showing the roots of his literary and personal journey.


- **Ingeborg Bauer**: Archimboldi's love interest and later wife, she's a character of resilience and mystery. Her relationship with Archimboldi is one of the few personal connections he maintains, symbolizing both love and the sacrifices made for art. Her character adds a layer of emotional depth to Archimboldi's otherwise solitary existence.



- **General Entrescu**: A figure from Archimboldi's past, he represents the intersection of war, power, and literature. His relationship with Archimboldi, particularly his role in the writer's life during World War II, showcases themes of manipulation, loyalty, and the moral complexities of wartime decisions.



These characters, while secondary, are crucial in fleshing out the world of "2666." They contribute to the novel's themes:

- **Ingeborg** adds a personal dimension to Archimboldi, showing that even a figure of such mythic proportions has human connections and vulnerabilities.


- **General Entrescu** explores the theme of power and its corrupting influence, as well as the moral ambiguities of war.


- **The Crazy Painter** serves as a critique of the romanticized artist trope, juxtaposing creativity with madness and societal rejection.


- **Lalo Cura** underscores the pervasive nature of violence in Santa Teresa, illustrating how ordinary lives intersect with criminal acts, reflecting the novel's exploration of societal decay.


Bolaño's style in "2666" is to weave a dense image of human stories, making it difficult to pin down an exact number. However, the novel's richness comes from this very multitude, creating a sense of the vast, interconnected web of life in Santa Teresa and beyond.



Here are some books similar to "2666" by Roberto Bolaño:

1. **"The Savage Detectives" by Roberto Bolaño**


Comparison: While "2666" delves into the dark undercurrents of violence in a fictionalized Ciudad Juárez, "The Savage Detectives" explores the literary and bohemian life in Mexico City. Both novels share Bolaño's signature style of fragmented narratives, a focus on literary circles, and the quest for meaning, but "The Savage Detectives" is more autobiographical and vibrant in its portrayal of youth and literary ambition.



2. **"Infinite Jest" by David Foster Wallace**



- **Comparison**: Like "2666", "Infinite Jest" is known for its length and complexity, weaving multiple storylines with themes of addiction, entertainment, and human despair. Both novels challenge the reader with their structure and depth, but Wallace's work leans more towards philosophical and psychological introspection, whereas Bolaño's narrative is more grounded in real-world horrors.


3. “Gravity's Rainbow" by Thomas Pynchon**

- **Comparison**: Pynchon's novel, like "2666", is a sprawling, dense work that explores the intersection of history, technology, and human folly. "Gravity's Rainbow" focuses on World War II and its aftermath, using surrealism and complex characters to dissect the nature of power and paranoia, similar to Bolaño's exploration of violence and societal decay.


4. **"Vineland" by Thomas Pynchon**

- **Comparison**: This novel, while lighter in tone than "2666", shares themes of counterculture, the impact of the 60s on later decades, and a satirical look at American society. Bolaño's work might be darker, but both authors use intricate plots to critique societal norms and explore personal and political failures.


5. **"The Kindly Ones" by Jonathan Littell**



- **Comparison**: This novel, through the eyes of a former SS officer, explores the Holocaust and the nature of evil, akin to how "2666" examines the femicides through various lenses. Both books use their settings to delve into the darkest aspects of human nature, though Littell's narrative is more direct in its confrontation with historical atrocity.


6. **"The Book of Disquiet" by Fernando Pessoa**


- **Comparison**: While not a novel in the traditional sense, Pessoa's work, through his heteronym Bernardo Soares, shares with "2666" a profound existential melancholy and a fragmented narrative style. Both works reflect on the human condition, though Pessoa's is more introspective and less about external events.


7. **"Under the Volcano" by Malcolm Lowry**


- **Comparison**: This novel, set in Mexico, captures the despair and existential dread through the life of Geoffrey Firmin, much like the atmosphere in "2666". Lowry's focus on one day contrasts with Bolaño's expansive time frame, but both authors use their settings to explore themes of isolation, decay, and the search for redemption.


Each of these books, while unique, shares with "2666" a willingness to tackle large themes through complex, often fragmented narratives, exploring the darker, more existential aspects of human experience.

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